TagsAndThrows – #Ilovebombing
TagsAndThrows Vol.001 While working on the book TagsAndThrows vol. 001 we decided to make a short documentary about Thomas Karl-Johan Gunnarsson aka OKOK, the man behind TagsAndThrows. We joined him for a walk around Stockholm and talked about bombing, Instagram, internet fame and navigating through cities with the help of vandalism.
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TagsAndThrows Vol.001 In this volume, the first-ever book by TagsAndThrows, we have collected a selection of personal photos by Thomas Karl-Johan Gunnarsson a.k.a. OKOK, the man behind TagsAndThrows. The best hand styles from New York, São Paulo, Stockholm and Copenhagen, documented in black and white, showing not only the styles, but also the atmosphere and street life of those cities. The book spans over 136 pages and features a lot of well-known signatures like False, Klops, Ja, Guns, Katsu, Pear, Tomcat, Easer, Os Gemeos, Sliks, Alone and many more. About TagsAndThrows It all started during a trip to New York a few years ago. In the beginning TagsAndThrows was just a an easy way to share nice photos of OKOKs pictures of tags for friends via Instagram, but after two years the feed has grown into a full concept with almost 83.000 followers on Instagram, 5 short documentaries on Youtube, fanzines and now a book. The concept is easy, like the art form itself – the most beautiful tags in the world, documented in the most beautiful way possible. The monochrome images captures the simplicity and rawness of street bombin and has become the trademark for TagsAndThrows. Instagram.com/tagsandthrowshttps://www.youtube.com/channel/UCmosPj8Mj5e-PznCLYVdQMw
[…] (wood, skateboard wheels, DIY meters), it reproduces a selection of famous New York tags such as False, Guns, Pear and Taki 183. An accumulation, until saturation. Pure Tag, without artifice. Signature. […]
[…] (wood, skateboard wheels, DIY meters), it reproduces a selection of famous New York tags such as False, Guns, Pear and Taki 183. An accumulation, until saturation. Pure Tag, without artifice. Signature. […]